On a summer night it can be lovely to sit around outside with friends after dinner and, yes, read poetry to each other. Keats and Yeats will never let you down, but it's differently exciting to read the work of poets who are still walking around out there.

Michael Cunningham

Michael Cunningham

Profession: Novelist
Nationality: American

Some suggestions for you :

The secret of flight is this -- you have to do it immediately, before your body realizes it is defying the laws.

It seems that she can survive, she can prosper, if she has London around her.

There's the appeal of the young thief who robs you, and climbs back down off your cloud. It's possible to love that boy, in a wistful and hopeless way. It's possible to love his greed and narcissism, to grant him that which is beyond your own capacities: heedlessness, cockiness, a self-devotion so pure it borders on the divine.

Catherine thought Simon was in the locket, and in heaven, and with them still. Lucas hoped she didn't expect him to be happy about having so many Simons to contend with.

It was either the wind or the spirit of the house itself, briefly unsettled by our nocturnal absence but to old to be surprised by the errands born from the gap between what we can imagine and what we can in fact create.

Morning, Peter, she calls.

Andrew, who, in the wry of certain gods, couldn't care less about human squabblings; who literally fails to understand them. There are all these fruits, there's water and sky, there's enough for everyone, what could you possibly have to argue about?

I was not ladylike, nor was I manly. I was something else altogether. There were so many different ways to be beautiful.

Who knows what succession of girls and boys sneak in through the sliding glass doors at night, after the mother has sunk to the bottom of her own private lake, with the help of Absolut and Klonopin?

Constantine, eight years old, was working in his father's garden and thinking about his own garden, a square of powdered granite he had staked out and combed into rows at the top of his family's land.

He demands that his mother pick him up so he can see the soldiers better; so he will be more visible to them. All this enters the bridge, resounds through its wood and stone, and enters Virginia's body. Her face, pressed sideways to the piling, absorbs it all: the truck and the soldiers, the mother and the child.

As writers we must, from our very opening sentence, speak with authority to our readers.

Beauty is a whore. I prefer money.

Julian is bluff and sturdy, royal; he possesses a gracefully muscular, equine beauty so natural it suggests that beauty itself is a fundamental human condition and not a mutation in the general design.