Time moves in one direction, memory in another.

William Gibson

William Gibson

Profession: Author
Nationality: American


Time moves in one direction, memory in another. William Gibson

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The ecological impact of book manufacture and traditional book marketing - I think that should really be considered. We have this industry in which we cut down trees to make the paper that we then use enormous amounts of electricity to turn into books that weigh a great deal and are then shipped enormous distances to point-of-sale retail.

Futurists get to a certain age and, as one does, they suddenly recognize their own mortality.

In the early '80s, I happened to find myself in the vicinity of people who would work for Microsoft five years later.

In 1981, I was a futurist - or at least I was a guy who put on a futurist hat occasionally - and I wrote about the 21st century.

My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.

I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.

All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store.

I read a great deal of science fiction with consummate pleasure between, say, the ages of 12 and 16. Then I got away from it. In my mid- to late 20s, I started trying to write it.

If I write something set 60 years in the future, I am going to have to explain how humanity got there, and that's becoming quite a big job.

I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.

I don't think nostalgia is a healthy modality. But nostalgia and a sense of history are not the same thing. Nostalgia is a dysfunction of the historical impulse, or a corruption of the historical impulse.

I'm always interested in the spooky repurposing of everyday things.

I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.

I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.