Our band has always been really big on imagery. We've kind of used that as one of our strengths; we tend to do that pretty well.

I've never made a comment on a message board in my life.

We write music because we have to; it's a part of our very being.

People think this is a competition between bands, when the reality is the more successful bands the better.

I was a fan of 'Call Of Duty: Modern Warfare 2,' and I got into 'Call Of Duty: Black Ops,' which was my favorite 'Call Of Duty' game of all time.

Everyone has an opinion, and everyone should be entitled to say whatever they want.

We really like having songs where we think the arrangement is just as important as the melodies, even though they're typically not.

The idea of turning an album into a living piece of art and adding new installations is really intriguing. It expands the journey.

Usually, when you're putting out a record, you have reviews from people a week before, and you have a vibe 'cause everyone's heard it - you've heard feedback from everyone, and they've listened to your single for a couple of months. Radio's playing it.

I want to stay away from trends and do what we want to do musically.

The metalcore has been left behind. It's not something that any of us find enjoyment in listening to, so it's obviously not the direction we would write songs in.

We're really excited to be even talked about in the same breath as Foo Fighters or Metallica.

We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those.

If people respect us as artists, they know we'll give them something different every time; they know we're pushing ourselves.

The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.

I wanna write a classic metal record, a classic rock record, in 2013.

When I'm by myself asking the questions that many of us do at some point in our lives, I look to the stars knowing that the answers are somewhere out there waiting to be discovered.

A lot of the metal bands that were around when Metallica put out 'The Black Album,' now they're playing clubs, and Metallica is playing stadiums.

I feel like our whole discography up through 'Hail to the King' was young, fun, and exciting. It was aggressively driven. 'The Stage' was the first step in the band becoming a more mature musical entity.

One thing I loved when I was growing up, you maybe saw one review from a magazine like 'Rolling Stone,' but now there are 150 reviews before an album even comes out. There are so many opinions out there, but the only one that really matters is your own.

If we can inspire a kid to pick up a guitar - and less and less kids are doing so these days - it'd be really cool because I know how it felt growing up and how special that was for me.

I'm kind of a geek when it comes to talking about chord structures or melody, so I always loved in-depth conversations with musicians about things. I also enjoy when a fan can just put something on, and they really know nothing about music other than they like it and it touches them in some way.

We want metal to be dangerous again. How cool would that be?

I used to get a huge kick out of walking into a record store and finding something I didn't know was out.

When we were growing up, we listened to all sorts of music, but the first band that really grabbed all of us live was AFI.

I just think that a metal band covering a bunch of metal songs is so boring, so 'done before.'

The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.

It really does help everyone when there are some big bands leading the charge.

We live in the realm where all the metalheads and rock fans know us, but we're not giants like Linkin Park or Black Sabbath.

I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.

We grew up with every type of band from Primus to Mr. Bungle to Elton John to pop music to metal, and we try to throw it all in a blender. And whatever comes out of that is more Avenged Sevenfold than metal or metalcore.

I got an email saying we were nominated for a Grammy, and I instantly thought it was a joke. So I started Googling the nominees, and there we were!

When I was very young, it was Guns N' Roses and Metallica. I'd play air guitar on my bed. They've been the thread throughout my life.

We do a lot of things that kind of annoy people and our fan base. We try not to get overloaded on it. For us, that means we don't do social media stuff - we have an Avenged Sevenfold social media, but none of the band members have Facebooks or any sort of Twitter.

We don't want to become like country artists where there's a formula.

One thing that was frustrating to us, always, was having to do so much press building up an album, and you're asked so many questions about, you know, is it more melodic, is it heavier, are you doing your old stuff, is it new?

'This Means War' is up there with 'Hail to the King' in terms of crowd reaction and kids chanting for it.

I think everyone in the band has had someone that's served in their family. I wouldn't say that anybody has a military family, but both of my grandfathers were in the military.

Games helped me a lot when The Rev died. It was something I able to go do and stay in the house and not have to be outside and deal with people. But I also found a community online that I was able to escape the feeling I was having of losing a best friend.

I think 'The Stage' is kind of left field.

We love the idea of putting out music in a non-conventional way.

I go online, and I love watching heavy metal bands and guitar players play heavy metal versions of the 'Zelda' theme, and people do all the 'Zelda' music, which is one of my favorite soundtracks.

When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.

We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.

If I ran the Grammys, it would probably go bankrupt.

The first Maiden record I ever got was 'Piece of Mind,' and I only got it because I thought the artwork was cool, and everyone talked about Iron Maiden. But they weren't necessarily the most popular metal band in America for a 12-year-old kid when I discovered them.

Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.

Metal needs to be exposed to more people, so it's good for rock if there's bigger bands.

The song 'Paradigm' talks about nanobots - and how they can potentially be used to cure diseases and help you live forever. But how much of a human being would you be at that point? If you're 70 percent machine and 30 percent human, are you going to lose yourself?