I actually have this fantasy of giving up my cell phone.

Whatever its origin, I'd like to see a cure for the Incredibly Shrinking Actress phenomena.

It actually makes perfect sense why women in Hollywood get so skinny: because it's a way of controlling how people see you.

I always feel like a goofy little kid.

I think Latin guys are really sexy. They generally fit into that whole tall, dark, and handsome thing.

I love podcasts! I wish I had my own, although I think there are already too many podcasts, so I don't know how I would create a new one.

Sometimes I think it's easier to play someone who's very, very different from yourself. Besides, I wouldn't want to play people who are just like me; that would get awfully boring very fast!

Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.

I always thought it would be really fun to play a villain. I feel like I haven't done that yet. Not an anti-hero, not someone who is flawed, but somebody who is just straight-up bad.

I become so sentimental on planes: I could be watching 'Bridesmaids' and start crying.

I am not a fan of rats or pigeons. In New York City, they have become very confident. When I was a child, you went on the subways, and the rats would stay down on the tracks, but now they hang out on the platform.

I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.

I would give anything to sit down with my maternal grandmother and have a cup of tea and play Scrabble. She died 10 years ago.

I was gonna throw the first pitch at a Mets game, but there was a rain delay. So I'm waiting for it to stop, and the team's manager, Willie Randolph, comes by. Now he's already intimidating to begin with. But he comes over to me and says, 'If you screw this up, they will boo you.' And I said 'Thanks.'

I love the sun and salt water, which is not good for your skin and therefore not good for your image. I'm terrible about protecting my skin as well.

I worked regularly from very early on, and some of it was probably a bit premature.

One minute, I really am in awe of filmmakers, and I want to be working in film, and then the next minute, I get the itch to get back on stage.

On 'Silver Linings Playbook,' David O. Russell is the master at getting his actors to give him something that he doesn't expect. He loves to keep things spontaneous. He talks to the actors throughout a take because, in real life, you don't know what the next person is going to say; you don't know when you're going to get interrupted.

My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.

So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.

In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.

The best working experiences I've had are with directors who want to create with you while you're on set. I prefer a much freer environment. That's why I'm always trying to mess things up, just to know that I can!

I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.

One of the wonderful things about 'Jason Bourne' and that franchise is getting to work the same people sporadically and over the course of many years. I'm not so keen on having to get to know a whole group of people.

My musician friends could always practice what they loved doing, but I can't go on a street corner and start reciting a monologue. Acting is very collaborative, and you always need other people with you - mainly an audience.

'Big Night' is the best food movie ever made. It's such a celebration of food, and the Italian tradition of celebrating people. Plus, everything looked delicious!

I tend to shut myself off from people. It's gotten harder and harder for me to meet new people. It takes a lot of effort to open up to them and spend time with them.

I pretty much grew up in public.

Julia Roberts taught me how to knit on the set of 'Mona Lisa Smile.'

It would be great to go to school all year and do movies during the summer, but it doesn't work that way. I'm not Julia Roberts, so I have to be flexible.

With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are. The exercise in theater is night after night, you are doing the same play, but you have another opportunity to explore.

The platform doesn't really matter to me, whether it's stage or theatre or even a web series. I just am more interested in, like, if it's a story that I would want to watch and if it's a character that I feel like I can contribute something to, then that's really what gets me.

When I was a child, I would draw these little stick-figures, and my mom would put them up all over the loft and tell me how wonderful they were. Then you get out there into the harsh reality of the world, and you realize not everybody loves every little thing you do the way your mom did.

I love baseball. As a teenager, I was a contrarian and picked the underdog instead of just rooting for the Yankees. It's a hard team to root for, but there's something that always keeps me hopeful.

We don't have cable, so I don't watch a lot of traditional TV. I watch a lot of Netflix, and there's this thing in Canada called Show Me, and then I also get things from iTunes.

I am ambidextrous. I write with my right hand but played basketball in high school with my left.

Of course my family and friends are incredibly valuable to me. They keep me sane, they teach me things and I love spending time with them. I think that ranking what you value is a sort of western and linear way of looking at things.

I don't naturally have a good metabolism, but I am lucky in that I am naturally drawn to healthy food.

I'm slowly working up the courage to sing in front of other people, but I can carry a tune. I do some mean karaoke.

My mother always taught me to think about things from other people's perspectives and think about where they're coming from.

Obviously, if I'm in Argentina, I'm going to have a steak, but I don't love meat, really. I always think about where the food came from and who had to get it.

I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.

I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.

I think women get caught up too much in having a plan - 'I'm going to get married at this age; I'm going to have a kid at this age' - and then they just try to find a guy who will fit into that picture. I don't want my life to be based on that.

I wish I could be on 'Politically Incorrect.' Because Bill Maher basically dismisses teenagers, and I think I could give my generation a good name.

I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.

Sometimes I have these abstract ideas and then lose track of myself.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene. I like a director that encourages me to be playful.

I love the interactive nature of theater. I just craved it. As much as I love working on a film or TV set, most of the storytelling happens in the editing, whereas when you're doing a play, the storytelling is in your hands as an actor.