Anything that keeps me off balance is vital.

I'm 25. I'm a white, blonde girl in the entertainment industry - it's so easy to fall into a world of pleasing everyone. I feel more comfortable showing all these odd angles to myself.

What 'Short Term 12' did was it gave me the confidence to explore my intuition more. The healing process that came for me for making that movie and then sharing it with people - I was able to see, first hand, that movies can have a healing power and they can teach us things.

I was home-schooled, was always very close with my mom, and was very straight-laced and square. I was never the rebellious one, and I never threw hissy fits. I was the type of person that would show a Powerpoint presentation about why I should do something versus crying and screaming over it.

Growing up, I just loved movies. It was how I saw the world, which I wanted to learn more about.

I hope to direct at some point, but I don't feel the pressure to rush it. I want to really know what it is that I'm doing.

I still have moments when I close myself in, but I wouldn't be on the path that I am with the career that I've had if I didn't have a deep understanding of the sense of my inner freedom.

My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.

I had collages in my bedroom when I was a teenager.

I think it is the fact that I want to quit that keeps me going. It's very complicated. But I think part of this whole exploration with every job that I do is, in terms of overcoming fear and by overcoming the fear, I feel so much more complete, and I learn something new about myself.

I started watching so many different types of women, saw all the complexities of them, all the ways and the look and shapes they could be, and I felt it was missing for me in American film. I didn't see anybody I was watching in movies that felt like me. I felt rather tortured and lonely about it.

I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.

When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'

My first acting gig was a skit for Jay Leno on 'The Tonight Show.' It was this Barbie commercial where I got to pour mud all over Barbie dolls and watch the heads pop off. It was so exciting, a lot of fun.

I really love learning about animals. I pull from a deck of spirit animal cards. You pull one, and it's about 50 or 60 different animals, and then that day you read whichever animal you pull. And it kind of gives you insight.

I'm always interested in whatever I can do to not look at my phone.

As I have had to meet different challenges, I realize I am coming into myself, and whatever I'm wearing is another chance for me to explore a new version of myself.

I didn't want to just watch a woman who was getting it right all the time. We're not perfect.

A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.

Women are such strong, powerful leaders, and a lot of the time, we play it silent.

I've been so impressed by the material that's been sent to me, but I don't think that's because it's me.

For me, 'Room' is an opportunity to relive an aspect of my childhood that I hadn't put a ton of thought into.

When it comes to Nintendo products, I gotta go with the new stuff.

There is so much to be gained from adulthood! Feelings just become so much deeper. The feeling of sadness and loss is much deeper than when you were a kid, but the feelings of love and happiness have also so much more dimension when you get older... That is what's so hard and exciting about being a human being.

I have a lot of different influences. Everything from Maroon 5, Gwen Stefani, The Clash, Kanye West - just a lot of different artists.

I won't do things for money. I can't.

In the past I've been very into the falling part, very into the swimming in the dark, deep emotional water. 'Rampart' I really went into it and it took me three times as long to get out of that depression as it did to just do the scenes. I had to learn to give it my all and then go home and laugh.

I'm extremely interested in art, every form of art, but I'm interested in it when it's good and interested in it when it's interesting.

I don't like being able to be reached. I enjoy my solitude. Even people having my phone number seems like too much.

I am becoming more recognisable in some ways, and some aspects of my privacy are going. But there's an upside: I have more opportunity to tell bigger stories and connect with more people. And I really relish that responsibility.

I'm just not in a place in my life where I worry about something unnecessarily.

I didn't realise how hard it was to be a mom and keep it all together.

I'm competitive with myself.

The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.

All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.

I know how to have a conversation, but I've never done improv. I've never taken improv classes.

When you eliminate all stimuli, your brain is like, 'Finally, we've got some space! I want to talk with you about something!'

Your brain is so lovely and so willing to please. It wants to help so much.

I've been really fortunate that I've worked with a lot of strong women who are also mothers.

I just don't want to stop finding things interesting. I don't want to ever stop learning. I want to be a weird encyclopedia of bizarre knowledge.

We don't have to live in a world where everyone reacts perfectly the first time around, and if you don't, everything falls apart, and no one speaks to you ever again.

I like working, I just don't like to get involved in the competitiveness of it.

'Basmati Blues' deals with a great social issue, GMOs, but it's told through love and song and dance.

I think my mystery, or any person's mystery, is the thing that makes them most interesting. I try to be as conscious as possible of keeping that alive.

I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'

I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that. Also, when I saw 'The Sound of Music' at Music Circus, I knew I wanted to act.

My number-one website is brainpickings.org. It opens you up to different authors and gives insights into the literary world. Reading about the love letters novelist Vladimir Nabokov wrote to his wife Vera blew my mind. Fascinating.

I can't tell you how many times I quit only to realize that when the work has been your life, you don't really have a life without it.

As much as I love acting, I just want to be a healthy person.