Australia is the place I know best.

I don't know how many bands I saw who would try to wreck a hotel room, but I never wrecked a hotel room in my life! If I'm gonna sit there and throw a TV out the window... if it's a good TV, maybe I should just take it home.

I saw Deep Purple live once and I paid money for it and I thought, 'Geez, this is ridiculous.' You just see through all that sort of stuff. I never liked those Deep Purples or those sort of things. I always hated it. I always thought it was a poor man's Led Zeppelin.

You'd be playing in a pub in the afternoon. Then late at night, you'd be playing a club. You got into that habit: 'If we don't play, we don't eat.'

Blues is a big part of rock and roll. The best rock and roll got its birth in the blues. You hear it in Little Richard and Chuck Berry.

The misunderstanding out there is that we are a 'hard rock' band or a 'heavy metal' band. We've only ever been a rock n' roll band.

I used to run home from school, pick up my guitar, and lock myself in my room and play.

We're a rock group. we're noisy, rowdy, sensational and weird.

Most people can do what I do - they can do guitar solos - but they can't do a good, hard rhythm guitar and be dedicated to it.

That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.

I've been shocked for a long time in a lot of circumstances. I get shocked when they say, 'Hey, we're paying ya.'

Because we grew up in Australia, to find information about a lot of blues guys, I used to go to the library and find the jazz magazines. They didn't even sell them at the time in news agents and stuff.

Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.

We don't go around the world counting ticket and record sales, nor do we glue our ears to the radio to hear what's trendy at the moment - we're not that type of band.

When I was young, and I would see bands playing, I would dig the rock & roll and get excited, but when they would start to take the pace down, my attention span would start going.

A good record is one where I can tap my toes. I always say let your feet do the thinking.

For me, New York has always been a city of unpredictability. You can never guess what's going to happen next.

For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.

For myself, I keep writing. I've got to do something. I can't sit on my hands and do nothing.

I think the '60s was a great time for music, especially for rock and roll. It was the era of The Beatles, of The Stones, and then later on The Who and Zeppelin. But at one point in the '70s, it just kind of became... mellow.

I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'

We knew when we started we wouldn't be accepted overnight, that it was going to be a long haul.

We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.

My ambition was just to be able to play guitar.

I plug into a lot of old rock & roll. Chuck Berry, Buddy Holly, Little Richard, Jerry Lee Lewis - I love all that stuff.

I wouldn't know any newer bands. We're past the pimple stage.

There's more to playing the guitar than being able to split your legs.

I'm constantly surprised when people say, 'But you haven't changed!' It's like saying, 'You've got a wheel. Now why don't you make it a square?'

We're not the prettiest bunch of animals in the world.

We played by feel. We felt as though you could put us on any stage, and we would find a way to win that crowd over. We had that attitude: We can't fail. You might not like it right now, but you will.

The hardcore fans have hung with us because they go, 'Hey, they don't disappoint.' And we stick to that style.

In the real world, people just get on with their lives. And that's where AC/DC come in.

I've heard people say all our music sounds the same, but it's usually just the people who don't like us who say it.

If you know what you do well and stick to that, I think you can appeal to the different generations. You can strike a chord with them. I've got the brain of a teenager anyway.

I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same.

We've always been quite clear about how we want the songs to sound. If we can imagine the song being played at a party, and it gets people tapping their feet, then it's in.

It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.

I never bothered with cars. I was probably one of the few kids in school who didn't run around with hot-rod magazines. As I would be at home fiddling with my guitar, they would be fiddling with a car engine.

The guitar can go at a scream. It can yell at you.

You've got to love what you do. You've got to like doing it, because it is a lot of your life.

I always liked the double cutaway. It looked like two horns. It's like a red devil. So I went to the guitar shop, saw an SG that was sitting there looking rather lonely, and said, 'Hey, that's for me.'

Hearing a lot of early rock n' roll records from a very young age was a huge influence.

We just stuck to what we did best. Maybe that's why people plug into us and go 'They never change.' We're reliable. A bit like old shoes.

The places we'd play were full of bikers, brawlers, and drinkers coming off a day of work looking for a good time, and all these guys would be looking at me like Hannibal Lecter looking at his next victim.

When I'm on stage the savage in me is released. It's like going back to being a cave man. It takes me six hours to come down after a show.

There are all sorts of cute puppy dogs, but it doesn't stop people from going out and buying Dobermans.

A lot of people say, 'AC/DC - that's the band with the little guy who runs around in school shorts!'

I have the Internet, but the first that happens with it is my machine will crash. I get by when it's operating. What would I know about updating?

When we grew up, Australia was the land of opportunity; it really was.